До проблеми концептуалізації поетики Василя Стефаника – новеліста (рівень персоносфери)

Abstract

The article is devoted to the theoretical problem of the authorʼs poetics of V. Stefanyk. The character level that determines the writerʼs personal style is taken into consideration. The purpose of the work is to study the algorithms of the interaction of the authorʼs consciousness and the worldview and psychological “doubles” created by it – literary heroes. Attention is focused on the basic “model” of “writer-character” connections, which are realized by ideological-problematic and plot spheres. It is clear that the system of functioning of these connections is also subject to scientific analysis. The theoretical and methodological basis of the research was laid by the development of the theory of literature as a section of literary studies. Comparative-typological and structural-semantic methods turned out to be relevant. Since it was about working with a large array of texts, in particular in such a manifestation as “personal text”, the technique of “discourse analysis” became relevant. The practices of formalistic analysis, receptive aesthetics, and historical and cultural discourse proved to be relevant in the work. The results of scientific efforts in certain directions include: identifying the sources of Stefanykʼs individual style in the fields of ethics, psychology, aesthetics, history, philosophy; accentuation of the main concept of the writerʼs poetics in terms of “author – hero”; highlighting the main ideological and plot models of connections between the writer and the character with the identification of their problem-content and system-poetic codes; revealing the deep-ontological foundations of the novelistʼs artistic thinking. The conclusions of the article highlight the stated results, in particular through the actualization of the chosen methodology in working with complex texts. The research angle focused on the characters as the basis of the author's “world-building” also turned out to be effective, because it was her poetics that most fully revealed the originality of Stefanyk the novelist.